¿Mejor serie de HBO?

POSEIDO · 2013/02/18

Puta ví games of thrones y la encontré una lata...de la lista la única que vi fue Los Sopranos y era la raja.

PD. :idolo:

Band of Brothers

felipewhiplash · 2013/02/18

Oz...
veamos si GOT la alcanza

rsg_mckako · 2013/02/18

ozn666 dijo:
Nunca tome en serio la serie Six Feet Under, no le encontraba sentido. Después de ver las primeros capítulos no me detuve hasta el final de la serie que para mi tiene uno de los finales más piolas y buenos xD

Six Feet Under con los puros inicios ya dejaba la patá. Mi unico drama con la serie fue lo explicita que era mostrada la relacion de los homosexuales, ahi miraba pal lao :lol2:

Por otro lado esa trama fue desarrollada con mucha seriedad y hasta instancias finales (adopción), teniendo encuenta que la serie fue pre Brokenback Mountain y todo lo que vino despues (el J. Edgard Hoover de Eastwood, no es muy distinto al Michael C. Hall del principio en Six Feet Under).

CamilongO dijo:
GoT por mucho, vi Treme y mmm...no.

Nadie ve Treme. Ni aqui ni en EE.UU, igual es casi imposible pensar en verla si es que no viste The Wire, pero tiene lejos la trama mas compleja actualmente en series, y te exije mucho (quiza demasiado) a la hora de comparar la historia oficial post Katrina en EE.UU (New Orleans). El tema culinario es filmado como nunca, y en esa parte de la historia (junto con la musical, obvio) es donde mas se ven las sutilezas que tanto hacen maestra a The Wire. Dale una oportunidad, aparte termina este año.

asda3 dijo:
a mi me gustaba entourage

Entourage era maestra. Un dramedia que condensaba todo holywood, a la sombra de las experiencias de Mark Wahlberg. Californication coqueteaba con mundos similares y con la estructura de Entourage, desde la perspectiva de la "estrella" claro. En todo caso no hay comparacion entre una y otra.

Von Bismarck · 2013/02/18

No puede ser que "The Sopranos" no tenga ningun voto...

Edit: Al menos asi era hasta ayer cuando vi este tema. Ahora ya tienen un numero mas aceptable (5 votos)

Ahi les va el mio para ellos.

Stone Rock · 2013/02/18

Game Of Thrones no está sobrevalorada lo que pasa es que no ha tenido capítulos malos para hacerla mierda :lol2:

no se ha dado la oportunidad no más, casi todos sus capítulos son parejitos con excepción de los capítulos 9 y el season finale de la temp. 2 es lo mejor que ha tenido.

Yo tengo en lista Six Feet Under, OZ y The Wire, pero Band Of Brothers es lo mejor que he visto de HBO.

rsg_mckako · 2013/02/18

Stone Rock dijo:
Game Of Thrones no está sobrevalorada lo que pasa es que no ha tenido capítulos malos para hacerla mierda no se ha dado la oportunidad no más, casi todos sus capítulos son parejitos con excepción de los capítulos 9 y el season finale de la temp. 2 es lo mejor que ha tenido.

Capitulos malos en absoluto, pero el comentario que se repite es que la segunda temporada no estuvo al nivel de la primera, que fue una wea chacal en cuanto a ritmo entre tramas, presentacion de personajes y hasta cliffhangers.

Esta wea, por ejemplo, es prueba de su "chacalidad":

No hay ningun momento asi en la segunda (cosa aparte es el épico 2x09 Blackwater).

Radd · 2013/02/18

entre Oz y Band of Brothers yo creo que esta la cosa..

MMegadetHH · 2013/02/20

me encanta GOT, pero Deadwood fue espectacular.

:idolo:

Swearengen

Skull_Lider · 2013/02/20

Band of Brothersy Pacifico y no ahi más. :zippypeloton:

Chelele · 2013/02/21

rsg_mckako dijo:
Capitulos malos en absoluto, pero el comentario que se repite es que la segunda temporada no estuvo al nivel de la primera, que fue una wea chacal en cuanto a ritmo entre tramas, presentacion de personajes y hasta cliffhangers.

Esta wea, por ejemplo, es prueba de su "chacalidad":

No hay ningun momento asi en la segunda (cosa aparte es el épico 2x09 Blackwater).

es que el segundo libro de la saga era medio fomeque y la 2da temporada se basaba en ese.......el 3er libro en cambio es por lejos el mejor de los 5, mas de 1000 paginas de pura chacalidad xD asi que la tercera y cuarta temporadas basadas en ese libro deberian ser geniales.

rsg_mckako · 2013/03/01

40 Years of HBO (Sólo Series)

1st & TEN (1984-1990)

Yeah, that's a pre-Law & Order: Special Victims Unit Christopher Meloni costarring in one of HBO's first original programming successes, a sitcom following a female owner (Delta Burke) of a professional football team.

ARLISS (1996-2002)

Remember Robert Wuhl? If the answer is yes, then it's a good chance that it's for this proto-Jerry Maguire sitcom — or, to be fair, his roles in Bull Durham or Batman — in which Wuhl played a sports agent that would do anything for his clients.

BOARDWALK EMPIRE (2010-present)

Executive produced by Martin Scorcese and created by Terrence Winter, a veteran of The Sopranos, this Prohibition-era, Atlantic City crime odyssey has done the unthinkable: make a leading man out of Steve Buscemi.

BORED TO DEATH (2009-2011)

Jason Schwarzman led the cast (which included Zack Galifianakis and Ted Danson) of this kooky Brooklyn-set detective series based on novelist Jonathan Ames' life. Sorta.

CARNIVALE (2003-2005)

The Dust Bowl was full of freaky in this supernatural odyssey, created by Daniel Knauf and executive produced by Ronald D. Moore (who left after the first season to "reimagine" Battlestar Galactica).

CURB YOUR ENTHUSIASM (2000-present)

If the comedy of embarrassment is your thing, then Larry David's pseudo-improvised show must be nirvana, as it's all about people digging themselves deeper and deeper.

DEADWOOD (2004-2006)

David Milch's [bleeep] [bleeep] Western [bleeep]. [Bleeep] Ian McShane, Timothy Olyphant, Molly Parker, John Hawkes, Robin Swigert, Garret Dillahunt and Paula Malcomson [bleeep]. Also, profanity.

DREAM ON (1990-1996)

This show took full advantage of HBO's standards-and-practices freedom: Brian Benben played a single book editor in NYC who was fond of daydreaming, and we got to see those daydreams made manifest. And many of those visions were about sex. Nay, most.

EASTBOUND AND DOWN (2009-present)

Bounced out of the majors, rogue pitcher Kenny Powers (Danny McBride) finds himself humbled in almost every way possible — which would be even sadder if he realized it.

ENTOURAGE (2004-2011)

Inspired by Mark Wahlberg's own experiences coming to Hollywood, Entourage might have overstayed its welcome towards the end, but early in its run it was a showbiz-savvy portrait of American excess and male pattern bonding.

GAME OF THRONES (2010-present)

George R.R. Martin's Song of Ice and Fire books could never been adapted for the movies, but its dense fantasy is perfect for the small screen. Executive producers David Benioff and D.B. Weiss have managed to make Westeros a real place and its sprawling cast of characters painfully human.

GIRLS (2012-present)

While Lena Dunham's Girls isn't quite a one-woman show — she's got a writing staff as well as Judd Apatow as an executive producer — it's most definitely her vision of what it's like being a single white girl in the Big City. Funny, honest, awkward, sexy.

HOW TO MAKE IT IN AMERICA (2010-2011)

It's hard out there for a kid trying to break into the fashion industry, or so this short-lived show (executive produced by Mark Wahlberg) would have you believe.

HUNG (2009-2011)

Being a member of the well-endowed club is hard work and it only gets harder for Ray (Thomas Jane) when he comes a freelance woodsman for the amorous ladies of Detroit.

IN TREATMENT (2008-2010)

Gabriel Byrne played a shrink who sees a different patient in each episode — and, borrowing from the Israeli show it was based on, there was an episode of In Treatment every day of the week. (The first season had 43 episodes.) It was a daring format, but it might've been a little too much of a good thing: Despite winning numerous accolades, HBO canceled it after its third season.

THE LARRY SANDERS SHOW (1992-1998)

A scathing look at the making of a fictional talk show, with a vain ego-maniac — the titular Larry Sanders (played by Garry Shandling — at the center. It functioned as high satire, a workplace comedy and a stage for celebrities to lampoon themselves. One of the best comedies ever broadcast...anywhere.

THE NEWSROOM (2012-present)

After winning his Social Network Oscar, Aaron Sorkin returned to TV — where he created and wrote much of The West Wing and Studio 60 — for a workplace dramedy about a conservative Republican broadcast journalist (Jeff Daniels) who has a social awakening.

OZ (1997-2003)

One of the most brutal shows to be broadcast on any network, Oz took viewers inside the experimental unit within the Oswald State Correctional Facility nicknamed Emerald City, which housed the hardest of the hard in glass cages and gave them (mostly) unfettered access to each other. Tom Fontana's sprawling story — which loosely followed Tobias Beecher (Lee Tergesen) and his prison transformation — hits almost Shakespearean levels of tragedy.

ROME (2005-2007)

Following the devious and debauched movers and shakers in the first republic, Rome — which incorporated historical characters like Julius Ceasar, Marc Antony and Cleopatra — was as pulpy and violent as The Sopranos which preceeded it, but it had costumes and accents.

SEX AND THE CITY (1998-2004)

This was the first HBO show to become a real part of the mainstream pop-culture conversation, working its way into everyday conversation in a way few shows before or since have. To wit: There were housewives in the middle of America debating if they were a Carrie, a Samantha, a Charlotte or a Miranda. And a marked increase in cosmo consumption.

SIX FEET UNDER (2001-2005)

In the shadow of death — literally, thanks to the death of the Fisher family patriarch, a funeral home director, in the pilot episode — the surviving members of the Fisher family must navigate their prickly, messy lives. By turns haunting, sad, funny and moving, Alan Ball's first HBO series had a cast to die for (including Peter Krause, Michael C. Hall, Lauren Ambrose, Frances Conroy and Freddy Rodriguez) and an ending that still echoes.

THE SOPRANOS (1999-2007)

This is the show that, for all intents and purposes, kicked off the Golden Age of Television we're currently living in. It's possible that you don't know who Tony and Carmela Soprano are, or how the criminal enterprise in which Tony was a player infected every aspect of their lives (and, by extension, American life). But it's just as possible that you just rolled off the assembly line.

THE WIRE (2002-2008)

Whenever there's a conversation about the best show to ever air on TV, David Simon's The Wire is always the show to beat. How many ways does the slinging of crack cocaine on West Baltimore's corners impact the life of those around them? In each of The Wire's five seasons, Simon and his team examined a different way: the docks, the schools, the government, the media and always, always the streets.

TREME (2010-present)

After spending five years in Baltimore, The Wire's David Simon turned his attention to a post-Katrina New Orleans, a city rich with history and culture that was torn asunder. The show, which won a Peabody Award in 2011, will wrap up its run with a fourth and final season in 2013.

TRUE BLOOD (2008-present)

After wrapping up Six Feet Under, which was all about life in the face of death, executive producer Alan Ball created this vampire series — based on Charlaine Harris' Sookie Stackhouse novels — which is all about life after death. It also happens to be nutbar crazy.

VEEP (2012-present)

There are few things more oddly satisfying than watching Seinfeld's Julia Louis-Dreyfus, playing the first female Vice President, curse like a longshoreman. (Who, we assume, curse like overachieving sailors.)

Fuente

PAMPINO · 2013/03/10

the wire...que es muy cercana a la realidad cuando sabes como opera la policia y todo el sistema judicial no es dficil saber que lejos es la mejor, segundo lugar para sopranos porque es de italianos matones jajaja solo por eso, entourage que a tds nos gusta pq tds queremos vivir el sueño de joligud. eso generation kill es maometana prefiero band of brothers que es miniserie

Bloodrayne · 2013/03/10

Dificil la eleccion, porque me gusto mucho The Wire, Six feet under, sopranos, Sex and the city, Boardwalk empire y etc, pero el que se lleva el premio mayor es OZ.

Lejos la mejol de la mejoles!

Rey del Ganado · 2013/03/10

Es casi imposible escoger un ganador entre The Sopranos, Oz y Boardwalk Empire, con la salvedad de que la última aún no termina.

rsg_mckako · 2013/03/10

Hace poco termine de ver The Corner (material que me faltaba de David Simon), y ya que estamos con miniseries la recomiendo.

Con todo lo que cuesta recomendar The Wire, esta miniserie funciona mas desde el comienzo, ademas de contener todo el lado de los adictos, dealers y sociedad (deja de lado a los policias) que tiene The Wire.

6 capitulos de una hora, brutales.

C2D · 2013/03/10

Game of Thrones va como pa convertirse en una nueva OZ del canal, como serie de culto

partuzord · 2013/03/16

OZ como no recordar la mano cortada de la niña en la caja de regalo para su papa Beecher

:maestro:

Adebisi, Alvarez, Ryan O'reily, Schillinger, Morales y todos los q vivan en la ciudad Esmeralda

OZ

y Band Of Brother de lo mejor que vi alguna ves en HBO

nestor69 · 2013/03/16

grande larry david

Desmond · 2013/03/16

Los Sopranos por lejos ....

-
Pero cuando pendejo veía "The Critic" en el HBO, aunque parece que no era de HBO originalmente.

:idolo:

ChAnGoS666 · 2013/03/16

te falto Tenacios D, no si si alguien la nombro. pero es muy buena serie, un tanto de humor estúpido pero de esa serie salio la banda de Jack Black y Kyle Gass.

Y con esta otra cuando pendejo estuve pegado, no me perdía los episodios.

¿Mejor serie de HBO?

¿Mejor Serie de HBO?

Oz

The Sopranos

Six Feet Under

The Wire

Carnivale

Deadwood

Entourage

Boardwalk Empire

Game of Thrones

Otra (Curb Your Enthusiasm, In Treatment, Treme... Etc.)

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